Expect bucketloads of snow, romance and Fair Isle jumpers. PHīoasting human virtues, cute animals and stunning Yorkshire scenery, this reboot of the James Herriot classic struck a chord when it launched in autumn. A beautifully realised mix of supernatural scares and universal morality lessons. ![]() Gaining access to this existential crossroads might prove tricky, so the need to find Will’s father becomes ever more pressing. Photograph: Charlie SurbeyĪll roads lead to the parallel universe of Cittàgazze in this season two finale. (l-r) Andrew Scott, Amir Wilson, Dafne Keen and Ruth Wilson in His Dark Materials. Hugh Grant, Samuel L Jackson and Lisa Kudrow are among a plethora of big-name figures starring in a spoof documentary, which will combine archive, talking heads and comedy to draw a line under the surreal nightmare of 2020. Mystery surrounds this new project exec-produced by Charlie Brooker and his Black Mirror co-showrunner Annabel Jones, but it sounds likely to be a suitably satirical bookend to a crazy year. Will he surprise us and try to see the lighter side of the last 12 months? Almost certainly not. With a pandemic, a preposterous US presidential election and high levels of political incompetence everywhere, 2020 seems tailor-made for a black-sky thinker like Boyle. Actor John Hannah, journalist Krishnan Guru-Murthy, presenter Rylan Clark-Neal, Strictly’s Shirley Ballas and Derry Girls’ Nicola Coughlan compete. Successfully installed this year in the big league that is Channel 4, the cult celebrity gameshow broadens its appeal further by inviting non-comics to have a go in a special one-off. The risky conceit is that the action’s been filmed by the family’s youngest son. Tom Basden’s half-hour effort is pure lockdown comedy: Katherine Parkinson, Jim Howick and Alison Steadman are members of the Jessop clan, who head to Margate in December as consolation for a cancelled summer holiday. Footage from the comic genius’s own archive is a further gloss on what would be an irresistible format anyway, as comedians comment approvingly on repeats of classic skits. ![]() Enter Gary with a madcap scheme … PHĪ clip show with authenticity, based as it is on a rundown of Wood’s favourite sketches found among her effects. But the electricity bill is too steep for some. After a tough year, the prospect of the Butterchurn Crescent Christmas display is keeping everyone’s spirits up. And as usual, Gary’s good intentions look set to backfire. Lucy Punch’s awful queen bee Amanda is the host, with her guests variously ignoring Christmas, embracing it too tightly or, in the case of Julia (Anna Maxwell Martin), willing to attend absolutely any event where her in-laws are absent. The worryingly accurate sitcom about middle-class parenting tackles the unique horror of a mum-filled festive party. There’s a flashback to the champagne-swigging adulterous life of Julian Fawcett MP (Simon Farnaby), while Mike and Alison try to stoke up some Christmas cheer with their visiting in-laws. It’s time to return to crumbling country pile Button House and its supernatural inhabitants for this festive special of the charming sitcom. As one of the few shows multiple generations can enjoy together, this is gold, frankincense and myrrh dust. The Cornley Dramatic Society’s reliance on a new sponsor is a fresh source of unrest as its production is dogged by dodgy stage mechanics and an argument inside a donkey. From grading penises to recalling her time as a BabeStation host, she is gloriously frank about her escapades – and as a couple of press-ganged participants will testify, she expects similar commitment from her audience. It’s not for the faint-hearted but Hughes’s 2019 standup show is a frenetic blast of filthy fun. Monday 21 to Wednesday 23 December, 9pm, Sky Atlantic ![]() John C Reilly, Fred Armisen and Tim Heidecker star. We’re dedicated to a mission beyond our ability.” US solemnity about space exploration is punctured in this new comedy about three would-be astronauts, stuck in the desert working towards a probably doomed lunar launch. But with only Kate (Gemma Whelan) for company, can he find inspiration? PH David Mitchell’s Will sees quarantine as a chance to write the perfect play to present to the king. The plague proves a handily timely plot device for Ben Elton’s Shakespearean comedy.
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